VISIONS & FANTASIES. A Concerto for Ocarina and Orchestra. Kristopher Maloy. Commissioned by the St. Louis School of Music. Duration: ca.
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1 VISIONS & FANTASIES A Concerto or Ocarina and Orchestra by Kristoher Maloy Commissioned by the St. Louis School o Music Duration: ca. 22:00 February 2010
2 Notes on Visions and Fantasies For nearly three years now, I have served as an arranger or the St. Louis School o Music, and have very much enjoyed creating small-ensemble arrangements o carols, olk songs, and traditional music or the school s aculty and students to lay. I ve come to look orward to the calls I get every so oten asking or my hel in creating new versions o oular music rom all over the world I ve yet to say no! Last all, the school called me with a secial roosition: A roessional-level concerto, designed to canonize the ocarina as a legitimate solo instrument in a concert setting equal to any other or which concerti are traditionally written. I am thrilled to have been oered the oortunity and challenge o writing such a iece. I knew that I wanted to write a iece that would dislay the technical caabilities and exressive range o the ocarina, but I also wanted to show the broadest range o musical worlds and styles in which the ocarina can lay well. The resulting work, then, is in ive movements, each existing in a very dierent world than any o the others. I very oten ind it helul to think in terms o narrative and imagery when I write, and as I sketched and lanned the iece I began to eel that the ive disarate movements were each a searate antasy, each a new dream in which the soloist imagined being in a antastical new environment and having extraordinary exeriences. The articular vision deicted in each movement ollows in the notes below. First, though, a word o thanks to Heather, our ocarina soloist, or her eorts in learning the solo art to a diicult new work. And a secial thanks to Dennis Yeh o the St. Louis School o Music, who has been my colleague, coyist, rooreader, gracious atron, and erormer and an o my work, without whom this iece would never have come to be. I. Flight The soloist imagines hersel in an ancient lying device, gliding higher and higher over the world. II. The Machine An enormous and dangerous machine grows out o control. The soloist tries everything to sto the breakdown, but every eort tends to backire. III. Prayer The soloist enters a mystical monastery, and begins to hum a chant-like tune. Her song echoes in the cavernous sace, and builds to a moment o siritual transcendence. IV. Rom The soloist sits ato a great lumbering animal and leads it out on the loose. It innocently wrecks everything in its ath until eventually, its ursuers catch u, and unwittingly begin an even more destructive conclusion to their chase. V. Fiery Flourish The soloist imagines hersel a dragon-slaying hero in an ancient, iery realm.
3 Instrumentation Ocarina (Trile, Tenor) 2 Flutes (1st doubles Piccolo) 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumets in C 2 Trombones Tuba Percussion (see below) Strings Percussion Percussion 1 Glockensiel Crotales Brake Drum Bass Drum Susended Cymbal Sandblocks Ratchet Police Whistle Cuica Sizzle Cymbal Whi (Slastick) Percussion 2 Vibrahone (layed with bow and mallets) Ratchet (shared with Perc. 2 i needed) Tam-tam Hi-Hat Cabasa Tambourine Triangle Percussion Timani 2 Triangles (high and med. high) Jawbone (Vibrasla) 2 Sizzle Cymbals (small and medium) Tam-tam (shared with Perc. 2 i needed) Bass Drum Snare Drum (layed with rute and brush) Wind Chimes (metal or glass) Sandblocks The Score is in C. The iccolo sounds an octave higher than written; the bass sounds an octave lower, and standard octave transositions or ercussion aly. All others sound as written. All trills are to be layed as ½-ste trills.
4 C SCORE VISIONS & FANTASIES Concerto or Ocarina and Orchestra I. FLIGHT Graceully, with motion q = 112 Kristoher Maloy (2010) A Flutes 1.2 Oboes 1.2 Clarinet in Bb 1.2 Bassoon 1.2 Horns in F 1.2 Trumets in C 1.2 Trombone 1.2 Tuba Percussion 1 Percussion 2 Percussion Glockensiel Vibrahone--with bow (1/2 edal throughout movement or resonant "blurry" sound) Triangle* Ocarina (Trile) Violin I Violin II Viola Violoncello Double Bass (Trile ) Graceully, with motion q = 112 sul G () (m) loating A Coyright Scioticon Music (ASCAP) 2010
5 2 Glock. Vib. Tri. I B 17 B Glock. Vib. Tri. I Glock. Vib. Tri. C n m n m m n m D 46 C I D m
6 Glock. Vib. Tri. 59 I Fl. 72 E m m m m m m Glock. Vib. Tri. E I
7 4 Fl. 85 F m m m m m m m m m m Glock. Vib. Tri. I F Fl. 102 G m m m m m m m m Glock. Vib. Tri. I G
8 118 H m m m m m 5 Fl. m m m m C Tts. Glock. Vib. Tri. H I
9 6 1 I m m m Fl. m m m m C Tts. Glock. Vib. Tri. I I
10 7 145 m m m m Fl. m m m C Tts. Glock. Vib. Tri. I
11 8 Fl. 156 J m m m m m m C Tts. Glock. Vib. Tri. I J
12 9 168 K m m m Fl. m m m m m m C Tts. Glock. Vib. Tri. K I
13 10 Fl. 182 L m m m m m m m m m m m m m m m C Tts. Glock. Vib. Tri. I L
14 11 Fl. 194 M m m m m m m m m m m m m m m m m m m C Tts. Glock. Vib. Tri. I M
15 12 Fl. 206 N m m m m m m m m m m m m m m C Tts. Glock. Vib. Tri. N I
16 1 Fl. 217 m m m m m m m m m m m m m m (no cresc.) C Tts. Glock. Vib. Tri. I
17 14 Fl. 20 O m m m m m m m m (no cresc.) C Tts. Glock. Vib. Tri. I O n
18 Fl. 240 P m 15 C Tts. Glock. Vib. Tri. I P n n n
19 16 Flutes 1.2 Oboes 1.2 Clarinet in Bb 1.2 Bassoon Aggressive, Mechanical q = 18 m m m m m m m m To Picc. II. THE MACHINE Horns in F 1.2 Trumets in C 1.2 Trombone 1.2 Tuba m m m (gliss.) (gliss.) m m m straight mute in m straight mute in Percussion 1 Percussion 2 Percussion Crotales m Brake Drum (med.) m Ratchet m Jawbone (Vibra-sla) m (m) Violin I Violin II Viola Violoncello Double Bass Aggressive, Mechanical q = 18 (gliss.) izz m izz m izz m izz. *Note: All trills in this mmovement should be layed as 1/2-ste trills m m m uward rom the given itch
20 17 8 Fl. mocking soloist m m m C Tts. nasty! nasty! nasty! straight mute nasty! straight mute abrasive m Crot. & Br.D. Rat. Jaw. I m m m
21 18 Fl. 15 A Piccolo m m m m C Tts. m m abrasive m m m Crot. & Br.D. Rat. Jaw. A I m m m
22 19 Picc. 21 m m m m m m m m m m C Tts. m m m m m Crot. & Br.D. Rat. Jaw. I m m m
23 20 Picc. B 27 m m m m m m m m m m m m m m m m m m m m m m m m m m C Tts. sinister m m sz m sz m sz m sinister B. D. Rat. Bass Drum--strike shell hard with wooden art o mallets (m) (Brake Drum) (m) Jaw. B I izz. arco m m m m
24 Picc. 4 m m m m m m C sinister sinister sinister sinister sinister sinister 21 m m m m m m m m C Tts. m m m m m m m Crot. & Br.D. Rat. Jaw. To Sus. Cym Sus. Cym. m m scrae ull value with tri. beater m To Hi-Hat To Sizzle Cyms. (2) (sticks or hard lastic) Hi-Hat Sizzle Cyms. I C arco arco m m
25 22 Picc. 41 D m m C Tts. m m m m Sus. Cym. Hi-Hat 2 Siz. Cym. D I
26 2 Picc. 48 C Tts. m m m m m m m m m m Sus. Cym. To Sandblocks Hi-Hat 2 Siz. Cym. I
27 24 Picc. E 55 C Tts. m m Sus. Cym. Sandblocks m Hi-Hat To Ratchet 2 Siz. Cym. To T.-t. hard accents--allow itch to bend E I
28 Picc. 61 F m m m m m m m m m m m m 25 C Tts. Sandblocks Hi-Hat 2 Siz. Cym. F I
29 26 Picc. 66 m m m m m m m m m m m m C Tts. Sandblocks Hi-Hat 2 Siz. Cym. I
30 Picc. G C Tts. Sandblocks Hi-Hat 2 Siz. Cym. To Crot. & Brake Dr. Crotales m Brake Drum (med.) Ratchet m m m Tam-tam scrae with tri. beater Jawbone (Vibra-sla) m I G izz m izz m izz m izz. m m
31 28 H 77 Picc. m m m m m m m m m m m m m m C Tts. cu with hand and move to oen hand-sto gliss. m hand-sto gliss. m m m m m m m m m m m cu with hand and move to oen m m m m m m m m m m m m Crot. & Br.D. Rat. Jaw. To Bass Dr. (large) H I m m m
32 29 Picc. 8 m m m m m m m m m m m m m m m m m m m m m m m m C Tts. lz. m lz. m m m m m m m m m m m m m m m m m m m m m m m m m Crot. & Br.D. Rat. Jaw. Bass Drum m cresc. (gliss.) I m m m
33 0 Picc. 89 I m m m m C Tts. m m Crot. & Br.D. Rat. Snare I To Snare (rute) bow behind bridge on string indicated arco I bow behind bridge on string indicated arco m m bow behind bridge on string indicated arco m bow behind bridge on string indicated arco m To T.-t. (med. mallets) Snare (with rute) arehensive (m) let itch all with decresc.
34 1 J 95 Picc. m m C Tts. Crot. & Br.D. Rat. Snare (m) J I
35 2 Picc. 101 m m m m m m m m K C Tts. m Crot. & Br.D. Rat. Snare K I
36 Picc. 107 m m m m m m m m m m m m m m m m m m m m m m m m m C Tts. m m Crot. & Br.D. Rat. Snare I
37 4 Picc. 11 L m m m m m m m m m m m m m m m m m m C Tts. m m m m m m Crot. & Br.D. Rat. Snare I L Crotales m Brake Drum (med.) izz m (dam immediately) Tam-tam To Ratchet m izz To Jawbone (v.s.) m izz m m Jawbone (Vibra-sla) To Sizzle Cym. izz m
38 Picc. 119 M m m m m m m 5 C Tts. Br.D. To Ratchet & Police Whistle (Ratchet rom Player 2 i needed) T.-t. Jaw. Ratchet m To T.-t. (with tri. beater) Cymbals (dam To B. D. immediately) I M arco m m m m arco arco arco
39 6 128 N Picc. C Tts. lutter lutter Br.D. Rat. Cym. Bass Drum N m m m m m I
40 7 Picc. 18 O (gliss.) m (gliss.) m (gliss.) m (gliss.) m C Tts. Br.D. Rat. B. D. m Tam-tam (scrae with tri. beater) m O m m m m m I izz. izz. m m
41 8 Picc. 147 P (gliss.) m C Tts. (gliss.) Br.D. T.-t. B. D. m m m Whistle m take mallets (mallets) To Sizzle Cymbal I P m
42 Picc C Tts. (gliss.) Whist. & Rat. T.-t. Cym. Sizzle Cym. Ratchet m (let ring) (let ring) lutter (To Tenor ) I arco (gliss.) (highest note ossible) (highest note ossible) (highest note ossible) (highest note ossible)
43 40 Meditative, Plainchant Style q = 48 III. PRAYER Timani (Perc. ) Percussion 1 Percussion 2 (Sus. Cym.) ( Tam-tam) (Tenor ) (m) (gliss.) Violin I Violin II Meditative, Plainchant Style q = 48 with mute m m (gliss.) m m (gliss.) with mute Viola Violoncello Double Bass Tim. Perc. 1 Perc. 2 A 9 A m I
44 C Tts. Tim. Perc. 1 Perc. 2 I (chorale) B 19 (chorale) (chorale-lead) (chorale) () B () 41
45 42 C 28 Fl. legato legato C Tts. Tim. Perc. 1 Perc. 2 C m I m m m
46 4 Fl. D E 7 m m m m C Tts. m m m m Tim. Perc. 1 Sus. Cym. Perc. 2 Tam-tam To Sorano Sorano mutes o D E I mutes o
47 44 F 49 Fl. C Tts. Tim. To Wind Chimes Wind Chimes (metal or glass) m Cym. To Crot. Crotales m T.-t. To Vib. F I
48 45 Fl. 57 no vib. C Tts. W.Ch. Crot. T.-t. Vibrahone (light [hal] edal (To Tenor ) I m m n
49 46 With Mischievous Energy q = 128 IV. ROMP Flutes 1.2 m n n Oboes 1.2 Clarinet in Bb 1.2 Bassoon 1.2 m n m n m m n m n m m m m m (solo) Horns in F 1.2 Trumets in C 1.2 m m Trombone 1.2 Tuba Percussion 1 Percussion 2 Percussion Ratchet Bass Drum Cabasa Sandblocks Snare Drum (wire brush) (Ratchet LH, sot yarn mallet RH) (Suggested: 1 sandblock anchored, 1 sandblock LH, wire brush RH) m m (solo) m m (solo) (Tenor ) With Mischievous Energy q = 128 Violin I Violin II Viola Violoncello Double Bass (note: allstrings izz. izz. semre this mvt.) izz. izz. m izz. m m izz. m
50 47 A O and Running Now 10 Fl. C Tts. Rat. & Bass. Dr. (secco-quick turn) m Cab. Sandblocks & Snare m (drag or 8th value across head with no audible attack) m To Sorano Sorano (i chamber switch is too awkward, substitute 1 grace note "E") A O and Running Now I
51 48 Fl. 19 C Tts. Rat. & Bass. Dr. Cab. Sandblocks & Snare I
52 49 Fl. B 28 m m m m C Tts. Rat. & Bass. Dr. Cab. Sandblocks & Snare B I
53 50 7 C Fl. C Tts. Rat. & Bass. Dr. Cab. Sandblocks & Snare C I
54 51 45 Fl. C Tts. Rat. & Bass. Dr. Cab. Sandblocks & Snare I
55 52 Fl. 5 D m m m m m m m C Tts. m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare D I
56 5 Fl. 61 E F m m m m m m m m m m m m m C Tts. m m m m m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare E F I
57 54 Fl. 69 m m m m m m G m m m m m m m m m C Tts. m m m m m m m m m m m m m m m m m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare G I
58 Fl. 77 H m m m m m m m m m m m m m m m m m m m m m 55 C Tts. m m m m m m m m m m m m m m m m m m m m m m m m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare H I
59 56 Fl. 85 m I m m m m m m m m m m m m m m m m m m m m m m m m m m m m m C Tts. m m m m m m m m m m m m m m m m m m m m m m m m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare I I
60 Fl. 9 J accelerando m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m 57 C Tts. m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m Rat. & Bass. Dr. Cab. Sandblocks & Snare J accelerando I
61 58 Fl. 100 m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m m C Tts. Rat. & Bass. Dr. m m m m m m m m m m m m m m m To Cuíca Cab. Sandblocks & Snare To Bass Drum Bass Drum m I
62 Fl. 106 K Raucous, growing out o control q = 184 m m m m m m 59 C Tts. straight mute straight mute (8va individual notes as necessary) Rat. & Bass. Dr. Cab. Cuíca m m To Hi-Hat quickly Hi-Hat (closed always, with wooden sticks) B. D. m (gliss.) K Raucous, growing out o control q = 184 I
63 60 Fl. L 114 C Tts. (gliss.) Cuíca Hi-Hat B. D. Take Tamb. in one hand L I
64 M Fl. C Tts. (gliss.) Cuíca Hi-Hat B. D. M I
65 N Fl. C Tts. Cuíca Hi-Hat B. D. N I (any layers with C extensions should lay low Ds)
66 6 Fl. 15 m m m m m m C Tts. m m m m m m Cuíca To Ratchet Ratchet Hi-Hat To Cabasa Cabasa B. D. Tambourine I
67 64 *may be conducted in 4/4 or 2/2 In this movement: -all stacatto notes should be layed very short and cris -all trills are 1/2-stes Flutes 1.2 Oboes 1.2 Clarinet in Bb 1.2 Bassoon 1.2 Furioso q = 144 V. FIERY FLOURISH m m m m m m m m Horns in F 1.2 Trumets in C 1.2 Trombone 1.2 Tuba m m Timani (Percussion ) m Percussion 1 Percussion 2 Sizzle Cymbal (choke) Tambourine Triangle m m () m Furioso q = 144 Violin I izz. Violin II Viola izz. izz. Violoncello Double Bass izz. izz.
68 65 Fl. 5 C Tts. m m Tim. Cymbals Tamb. & Tri. (choke) m m m arco I
69 66 Fl. 9 A m m m C Tts. m m m m m m Tim. m Cymbals Tamb. & Tri. I A arco izz. izz.
70 67 Fl. 14 m m B m m C Tts. m m m m m m m m m m m m m m m m m m m Tim. m Cymbals Tamb. & Tri. (choke) m m m B arco I arco m arco m
71 68 Fl. C 19 m m m m m m m m m m s s s s s s s C Tts. m m m m m m m m m m m m m m m m m Tim. Cymbals Tamb. & Tri. (choke) m To Sus. Cym. Small Sus. Cym. (choke) m (choke) m (choke) m (choke) I izz. arco C s s s s m s s s s div. m m arco div. s s
72 Fl. 28 D m m To Picc. m m 69 m m m m C Tts. m m m m m Tim. Cymbals Tamb. & Tri. m (choke) m m To Sizzle m I D izz. s izz. s m m izz. m (izz.) m m izz. m
73 70 Fl. 4 E Piccolo solo solo solo C Tts. Tim. Cymbals m Tamb. & Tri. m I E arco arco
74 71 9 Picc. C Tts. Tim. Cymbals Tamb. & Tri. (m) I arco arco
75 72 F 44 Picc. m m m m m m m m m m C Tts. m m m m s m m m m m s m m m m s m m m s m m m s m m m s s Tim. Cymbals m m Tamb. & Tri. m F I arco m izz. () izz. izz. () () izz. ()
76 7 Picc. G 48 m C Tts. Tim. Cymbals Tamb. & Tri. m Sizzle Cym. m (let ring) To Vibrahone 6 6 I G izz. () arco arco
77 74 Picc. 5 m C Tts. m m sinister m sinister m sinister m Tim. Cymbals Tamb. & Tri. (scrae with tri. beater & let ring) To Whi (or slastick) I m m arco m arco m (those with C extensions lay low D)
78 75 Picc. H C Tts. Tim. Cymbals Whi or slastick To Tamtam Tamb. & Tri. (gliss.) () I H m izz. 6 6 m izz. izz.
79 76 Picc. I m () m () C Tts. Tim. Whi (sticks on shells) Tamb. & Tri. Vibrahone m (1/2 ed. down constantly, blurry texture) I I (izz.) m m m arco m m m m m
80 77 68 Picc m m m () m C Tts. Tim. Whi Vib. m I m m m m m m m m m m
81 78 Picc. 74 m J m m m m m C Tts. m m (no cresc.) m m Tim. Whi Vib. I (m) arco (choke) J m m let vibrato grow wider until it encomasses several notes arco (edal u suddenly) (let tone go shar) 6 m let vibrato grow wider until it encomasses several notes m Tam-tam izz. m m arco To Small Sus. Cym. To Tamb. (m) m (no cresc.)
82 79 80 Picc. C Tts. Tim. Cymbals Vib. I
83 80 Picc. 85 m m m m m m m m C Tts. m m m m m m m m m m Tim. Cymbals Vib. Small Sus. Cym. (choke) m (choke) To m Sizzle Cymbal Sizzle I
84 81 Picc. 90 K C Tts. m m Tim. Cymbals Vib. (let ring) m Tambourine () I K izz. m m m izz.
85 82 Picc. 95 accel. L Energetico q = 160 m m C Tts. m m m m m m m m m m Tim. m Cymbals Tamb. m To Tam-tam (choke) Tam-tam (choke) I L accel. Energetico q = 160 m m m arco
86 8 Picc. 101 M m m m m C Tts. Tim. Cymbals (choke) (choke) T.-t. (choke) (choke) I M m m m m m m
87 84 Picc. N 108 m m C Tts. Tim. Cymbals (choke) T.-t. (choke) I m m m N
88 85 Picc. 114 O m m m m C Tts. Tim. Cymbals (choke) (choke) (choke) T.-t. (choke) (choke) (choke) I m m m m m m O
89 86 Picc. 120 m m m m C Tts. Tim. Cymbals T.-t. (choke) (choke) m m I m m m m
90 Picc. P C Tts. Tim. Cymbals T.-t. (let ring) (let ring) m m (let ring) (let ring) (choke) (choke) m (choke) To Tamb. Tambourine m P I
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