A Small Book on Sacred

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Transcription:

A Small Book on Sacred Selected from the Pages of Poetry East Edited by Richard Jones

s a c r e d And your very flesh shall be a great poem. Walt Whitman

Bakery in Huron, SD The people who work the dawn shift in the German bakery off Dakota Avenue they know Jesus, the whatness of that incarnation that is mad with dooms of love for the hungry, the lost. I love to hear them chattering and laughing as they upgather into fat loaves the ripe-yeasted wheat dough, kneading it through the bone and muscle of their hands, patting it, letting it rise, rise like the sweet-smooth bottoms of babies lifted by mid-wives into morning light. As they work, they inhale the holy dust of the flour, saying, without words, Take! Eat! This is the body! This is the true body!

Distraction Why not kill everything, Lord Shiva wonders, and makes a start, but gets distracted by a pair of orioles, male and female, singing in the banana tree.

The Ordinary Like the faintest smell of rot before fruit turns, the feeling she had that she would not keep living not the gory dreams of car wrecks or leukemia, and not suicide, though she felt a certain affinity for those who sank into rivers because they did not belong to life. Just an absolute sense of ending, no she to imagine one day washing dishes in front of a window buzzing with flies, no Sundays, no vegetable garden, no drive to work, no she to live the ordinary waking in the same pale sun. No sharp fluttering self left to feel it. So sure was she that at a certain age the universe would pull her from the sky, that when she was first sixteen, then thirty-two, then forty-five, she felt oddly betrayed how strange, to discover her life had been there waiting, green and small.

Historical Footnote There has not been a double burial found in the Neolithic period, much less two people hugging and they really are hugging. Elena Menotti Archaeologist, 2007 When we dusted them off enough to recognize a couple hugging in their grave, those bones were runes we didn t know how to interpret. Then we observed the sunlight glittering with particles we d stirred up, a giant asterisk around the site.

Son-in-Law Song Jack on his dawn drive to work, to work in deep fog. Jack saw them first. He stopped, backed up, got out to take a look. In field silence Jack stood at the edge of the invisible, at the electric fence, Jack in dawn-gray cloud fog saw the bay mare down, saw the crimson sack slip out, saw a spindled foreleg poke through its own warm pond Jack saw flattened feathers of the filly unfold, saw her stand, shiver, snuff the early air. What I love is that Jack knew to turn around, go back, quick get wife and child; Jack knew to drop the world hammer, put his arm around Marie, hoist sleepy Sarah to his shoulder, whisper, look over there.

Devotion Like the burnished body of Jesus worn smooth with kisses on the cross my grandmother carried.

Backwards to Heaven In the bathtub yesterday my daughter looked so thin and far away, I thought of her birth. Paralyzed and drugged, all I could do was watch while John held her and spoke softly. In the old stories, children are sacrificed. Every day I teach my children what to want while everything tells me my own desire is too large, like the black bird in the park, which was bigger than my daughter s head. In London last summer, I walked around and around an image of the Prodigal Son naked on his knees. Not bent in prayer but stretching his body backwards to heaven. Praising not only his welcome home but the world that kindled his desire.

Contributors John M. Solensten Bakery in Huron, SD Poetry East #70 Michael Hannon Distraction Poetry East #70 Amy Vaniotis The Ordinary Poetry East #76/77/78 Richard Murray Historical Footnote Poetry East #80/81 Diane Kerr Son-in-Law Song Poetry East #70 Jonathan Blake Devotion Poetry East #86 Margaret Lloyd Backwards to Heaven Poetry East #70

At Poetry East, we believe in words. We believe poetry is the highest art. A poem clarifies our deep humanity, though its grace remains a mystery. Poems illuminate the world we live in a slow dance in the kitchen, birds in flight, a loved one s death, silence in an empty room. As you read these seven poems, we hope you will read with fresh eyes and full hearts.poetry opens a door, inviting you into its home. Here, come a little closer, these are for you. Artistic Director: A.M. Prentice