THE FOREST. Poetic Fiction (in the style of an expressive ballet)

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Transcription:

THE FOREST Poetic Fiction (in the style of an expressive ballet) 1954

The shape of the forest has The shape of a jellyfish That you catch in your hands and it slips through As a wave Pushes it out Perhaps this happens Because It moves Without Opening seashores That are white And The fresh ones glisten While the others Are white all through You ll find too the bones of the drowned Now I ll push out my heart But no Since jellyfish Have no blood If I pretended for so long to be writing poems, it was only so I could speak of the forest. 3

At night people betray one another And when the forest Begins To smother you You cry out As if You were not in The forest The forest is like my nights Which as dawn comes Are not at all The same The forgotten dead Whom alone we set aside Near-dead advance With startling movements Or We d like to imagine A single Detail In daylight it s green So the forest Is a forest With trees. 4

EPISODE ONE MY FATHER S EYE My father had a glass eye. On Sundays when he stayed home he would take other eyes from his pocket, shine them with the cuff of his sleeve and call my mother over to choose. My mother would laugh. In the mornings my father was pleased. He would roll the eye around in his palm before putting it in and call it a good eye. But I didn t want to believe him. I would wrap myself in a dark shawl as if I were cold but really I was keeping watch. Finally one day I saw him cry. It was no different from a real eye. 5

This poem Is not for those to read Who don t love me Or even Those Who won t know me If they don t believe I existed As They did After the story with my father I was suspicious even of those whose eyes were real. 6

They found the bird killed In the forest So small If you compare it To the space all around Where the cries of the frightened Couldn t penetrate Short dialogue That arrives, closely following the circle Did you love her? Oh, no Back then Hats with big feathers Were all the rage Swallows? Lord, no Salamanders Do you really know whether you re inside or out Of the closed spaces that always exist? It depends entirely On the slant of the sun Even at the seaside On Sunday excursions In rowboats While around them Huge ships steam off A whole fleet With us in their wake 7

8 Like children s prams being taken From the park At dusk Leaving our hands This feeling of our hands grasping As they rest on benches The dew painted Not only In the forest

EPISODE TWO THE SWINEHERD OR, THE BEGGARS SONG When Odysseus on landing moved toward the forest from the shore, he found his comrades seated in a line each with open eyes watching him and singing with a hand outstretched along the seaside road. The mice drowned in spring Dragging by the tail The old and the young The blind who didn t understand And all those who sat on the church steps And begged Good sir a little help please Here where you pass passed they Who will drown And they began their chorus again: When after the encounter Odysseus returned he joined them as the last in line, since he had no more need to be clever, thus moving nearer to the forest than the shore. 9

10 The swineherd had sold his pigs Made a bed from their hides And slept Good sir A little help Please

Clipping from Kathimerini In Norway a mass suicide of rodents was observed; during a certain season they cast themselves in herds into the sea. Leaving behind the dense forests of Scandinavia But Greece is what I knew And its landscape At the moment I committed suicide Was dawning As if I were emerging free From the waters And the forests shone Dewdrops falling As a warm breeze rustled the leaves Forests full of light Bodiless Of lean pines Blazing With glints Of sun on the rocks That tumble to the shore 11

Time passes And the shade in the clearing multiplies (There are other forests of firs And chestnuts On the banks of the Peneus) Slanted at first It divides The trunks on the right side of the circle If it were two woodcutters sawing The trees would fall booming To the earth Later turning from trunk to trunk It fleetingly touches the trees on the other side Before they are all sunk in darkness Together During that brief spell is when you hear the birds chirp So what they say That in the forests the birds sing all day Is a lie The forests are ruled by fear And the beasts And birds Know how to fear Before they are born 12