(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed)

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Transcription:

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed) Current Revisions by (Current Writer, date) Name Address Phone

INT. KITCHEN STUDIO - HOST STAND-UP HOLLYWOOD STEVE Oh, hi. I m Hollywood Steve. You ve caught me preparing a delicious souffle. The great song writing duel of 1978 would change music forever. And as with any great soufflé, the main ingredient of tonight s episode is a heaping helping of surprise... SHOW OPEN - YACHT ROCK KEEP THE FIRE & watch MICHAEL & warm up. I see you brought your lucky harpoon. Skunk, I woke up to a red sky this morning. Sailor s Warning. I m afraid. But today is up to Mike and Kenny. I m just here to keep the fire. CHRISTOPHER CROSS pushes his way up to Koko. CHRISTOPHER CROSS Mr. Goldstein! The music of your artists has been an inspiration to me... Scram, kid. Koko s busy keepin the fire. Skunk pushes CHRIS away. The judges arrive. It begins... The judges approach the table. They are GENE BALBOA, a tan record exec, RODNEY MULDOON, a disco-dressed music writer, and PETER CETERA of Chicago. GENE Gentlemen, the future of popular music is at stake today. RODNEY Hall & Oates... begin! HALL & step before the judges and bow. wears a forehead bandage. Hall winks at SARA ALLEN, crossing her fingers on the sidelines.

2. INT. HALL & HALLWAY - DAY Sara listens to Hall & Oates fight. No! Not another song about Sara. INT. HALL & HOUSE - DAY Oates hovers over Hall. Don t write with your heart, write with your wallet. Do you even know to what the kids on the streets are into? (shoves Hall) Disco, Motherfucker. (hits Hall on head) So what do we write a disco song about? (squeezes his neck) Answer me loverboy, and if you say Sara again, I ll smoke your balls in my hookah. SARA Oates! Leave him alone. I m gonna murder him! Sara picks up a PORTABLE RADIO and tosses it at Oates as hard as she can. It hits him in the face, knocking him over. Hall looks at Sara and smiles at her. Hall & Oates perform Portable Radio. HALL & C mon and listen to the radio. Turn up the power, power. Radio. Rockin for hours and hours and hours. Radio. Now turn it soft and low. Portable radio! Viviviviva la, Portable radio! Crank up the power, portable radio. Turn up the power all night... The judges stare blankly. Hall, exhausted looks over at Kenny This is It begins playing. Chicachipa! Chicachipa!

3. EXT. S BOATHOUSE - NIGHT Michael, Kenny & Koko sit around a fire. MICHAEL Kenny, If we don t go all out smooth, Hall & Oates have already won. No. We have to confront them. With hard riffs and a backbeat... or its over. Yes, Kenny. Be confrontational. But don t you dare stray from the smooth. I love you guys. I live and die for this scene, this smooth music you make, this is IT. Stand up and fight! You want a miracle? THIS IS IT! Kenny and Mike look at each other, inspired. Mike & Kenny perform This is It. MIKE You think that maybe its over. Only if you want it to be. Are you gonna wait for a sign? A miracle? Stand up and fight! Mike stands up, he and Kenny point at Hall & Oates MIKE & This is it! Make no mistake where you are. This is it! Your backs to the corner! Don t be a fool anymore. The waiting is over! Kenny begins to shove Oates. Oh, don t you run. No place to hide... Peter Cetera tries to pull them apart. PETER CETERA Gentlemen... This is our fight, Cetera! (CONTINUED)

CONTINUED: 4. Oates kicks Cetera squarely in the balls. Melee ensues. In the madness, Koko falls on his Lucky Harpoon. Everyone gasps and screams. Skunk checks Koko s pulse. Koko est mort. He is dead! Fingers begin to pick at guitar strings, playing Sailing. Everyone looks up at Christopher Cross, tears welling in every eye. The music goes from the strings, down the chord, to the amp and out into Koko s ear. He WAKES UP! Koko dies again. Am I in heaven? Why am I hearing perfection? CHRISTOPHER CROSS Koko, my name is Christopher Cross. This song was born of your inspiration. This song is for all of you... Thank you... I have to die now... Mike, keep the fire... His spirit leaves his body in the form of a sailboat, and drifts into the sky. Tears all around. Oates comforts Mike & Kenny. No one won this contest, but I m taking home the prize: a new appreciation for the beauty of your damn smooth music... INT. KITCHEN STUDIO - DAY HOLLYWOOD STEVE Thanks to Christopher Cross, 1980 saw Yacht Rock explode into the mainstream. But that s another story. I m Hollywood Steve, keeping the fire. TRIBUTE TO OVER KEEP THE FIRE