TITUS SALT SCHOOL REVISION GUIDES Of Mice and Men Context This novel is set in the mid to late 1930s, in California, America. This was a significant time in American history and is called the Great Depression. In the 1920s, America experienced a financial boom. As a result of this, a lot of money was invested in the stock market, small independent banks thrived and farmers were producing bumper crops. However, there came a point where there was so much surplus stock because companies and farms had produced so much extra, prices of goods dropped dramatically. Farmers and companies started losing money and tried to take out their savings all at once from the small independent banks. The banks could not cope with so much money being taken out all at once and went bust. This caused companies to go bankrupt, leaving share prices to drop and people who had invested a lot of money in shares (a share is a small ownership or percentage of a company, if a company is doing well, the price of a share goes up, and if it is doing badly, it goes down) found they were left with useless bits of paper for companies that no longer existed. Just like we have experienced in England over the past two or so years, America was plunged into a Depression. However, this one was much worse and that is the reason it is given the title of the Great Depression. Thousands of people lost their homes and lived in shanty towns and a total of 13million people were unemployed - to put into context, our government is worried because we have 2million unemployed at the moment. This led to people getting work wherever they could, which was the birth of the migrant worker. Thousands of men, either single or with families somewhere to provide for, roamed from state to state looking for work, anything they could get their hands on, to earn money to live. It was a very lonely existence: it was hard to make friends, you were always living in fear of being sacked, the work was often long hours and back-breaking for little pay and there was very little contact with normal life. This is the life that is described in Of Mice and Men. Events Grid CHAPTER NUMBER 1 Thursday DAY AND TIME LOCATION CHARACTERS INVOLVED evening The pool Lennie George MAIN EVENTS Character introductions We see Lennie as the child and George as the father We hear about the dream We know that there is something mysterious about Lennie s past We know they are about to start work 2 Friday morning The bunkhouse All Characters except Crooks We meet all other white characters Both the boss and Curley mark the men out as trouble George tells Lennie to stay away from Curley s jailbait Wife Lennie predicts the unhappy ending - it s mean here 3 Friday evening The bunkhouse George Slim Whit Carlson Candy Lennie Curley Carlson bullies Candy into shooting his dog Candy joins in on Lennie and George s dream Curley fights with Lennie Lennie crushes his hand and Curley is forced to lie about the injury 4 Saturday night Crooks room in the stables Crooks Lennie Candy Curley s Wife (George) Crooks talks to Lennie about land Crooks taunts Lennie and he flips Crooks talks about loneliness and racism Candy joins in Curley s wife comes in and taunts them They all leave Crooks alone 5 Sunday afternoon Stables Lennie Curley s Wife Candy George All others except Boss Lennie is mourning his pup Curley s Wife tells Lennie her own dream Lennie kills Curley s Wife by accident Lennie flees Candy finds her and tells George George steals Carlson s gun whilst Candy tells the others - the dream is dead Curley sets up a lynch mob 6 Sunday evening The pool Lennie George Slim Curley Carlson Lennie has hallucinations about the bad things he s done George finds him and reassures him George shoots him in the head Slim comforts George Carlson can t understand what the fuss is about
George is the leader of the two men and Lennie has the mental capabilities They have known each other for a long time and although George is overly They are running away from some trouble on another ranch that involved They are going to live off the fatta the lan Lennie is going to tend rabbits Chapter Two Summary This chapter is very much about introductions. Each character in the novel is introduced to us, one by one. Lennie and George s welcome is not warm they are too late for the morning shift so they eat lunch and go to the bunkhouse. All the action in this chapter happens in there. (Structure point: the author makes George and Lennie late for work as it is easier from a plot development point of view to introduce all the new characters in one place. Curley s Wife, for example, would not have been introduced if the men were working out on the fields.) The bunkhouse layout is described and the men get their own beds. The boss is grumpy and suspicious. He takes his anger out on Crooks, showing that he is racist, which was commonplace at this time in America. There are some redeeming qualities he is generous at Christmas but most of the time he is bad tempered. He doesn t like George answering all the questions and thinks he is taking advantage of Lennie. His speech is very aggressive and confrontational. Curley, the boss son, walks in after his father has left. He is also grumpy, but his whole manner and the way he reacts to the people around him make him more dangerous. He quizzes Lennie and George aggressively and takes an instant dislike to Lennie. We are told about his prowess at boxing and his slightly weird vaselined hand, that is supposedly to use on his wife, ew. The other ranch hands are, in contrast, quite friendly: Candy is helpful and by far the friendliest. He is the character who informs us of all the other characters. George is wary of him, unable to make him out. He is an experienced ranch hand, but his accident has stopped him working properly. Although he is coming towards the end of his working life (where he will be booted out with no help, to starve) he doesn t seem very bitter. Slim is friendly and interested in his new workers. We are given the impression that Slim is a born leader, much more than both the Boss and Curley. Carlson is pleasant, but he doesn t go out of his way to be nice. Crooks is talked about, but we do not hear anything from his own mouth. This shows us his status on the ranch he is even lower than Curley s Wife because of his colour. Curley s Wife turns up and annoys everyone. She makes the men jumpy with her provocative manner and her flirty poses. Lennie is enthralled by her and George warns him away from her. Slim flirts mildly with her basically, treats her like a human being. The combination of all these new people makes George anxious. He s suspicious of the friendliness and defensive of the aggressive questioning. He is extremely worried about both Curley and Curley s Wife, mainly because of Lennie whereas Curley is a danger to Lennnie, Lennie is a danger to Curley s Wife. Chapter One Summary The chapter begins with Steinbeck setting the scene of the local area, a quiet pool and the Gabilan mountains in the distance. Then two men walk up to the pool and disturb the peace and wildlife. One is small and quick (George) while the other is big and clumsy (Lennie). Several things become apparent: and understandings of a five year old. harsh to Lennie sometimes, he has quite a soft spot for him really. Lennie and a woman. Lennie copies everything George does and hero worships him. Lennie is very forgetful and cannot remember why they had to move jobs. George is annoyed because the bus driver dropped then ten miles short of the ranch and as a consequence they will be late for work tomorrow morning. Lennie asks about their dream and George tells him: George wants the freedom of his own place, be his own boss and have a permanent base. Lennie is just happy with rabbits. The men eat dinner and go to sleep by the pool. It is a beautiful place, but it s sort of a bit of a creepy place. This is important because it shows that not everything is as good as it seems. There are troubles hiding in the background. The men eat beans with no ketchup, a metaphor for their lives all work and no luxury. Lennie is in some ways better off than George. He lives in the present. At the moment, he s happy. George however bears the burden of knowing their homeless and friendless. George catches Lennie petting something and it turns out to be a dead mouse. Lennie likes soft things, but he has a heavy hand and ends up killing things. George chucks the mouse away and upsets Lennie, but this is an ominous sign for what is to come later on in the novel
Chapter Four Summary During this chapter, we are introduced to the outsiders in much more detail than before. Each character has its own issues and obstacles they deal with in ranch life. The action takes place in Crooks room. Lennie visits Crooks. At first Crooks is unwelcoming and tries to male Lennie leave. Gradually though, he sees the benefits of having Lennie to listen to what he says. Rooks is the only black worker on the ranch and his isolation and the latent racism makes it almost impossible to interact with the other characters. Lennie, on the other hand, does not understand the concept of racism and so Crooks is able to get all of his anger and bitterness off his chest without worrying about the repercussions. We learn things about Crooks: He is the only worker on the ranch with his own room He is an intelligent man who spends a lot of his time reading due to his lack of social interaction with the others He is the only ranch that has personal possessions, a rare thing in those times He is crippled because of being kicked in the back by a horse some years ago He came from a family who owned land, but it was lost and therefore he had to find work where he could Crooks abuses his power over Lennie and bullies him into thinking George is going to leave him. He enjoys seeing someone miserable, but stops quickly when he sees the danger of pushing Lennie too far. It is important to realise here that Crooks isn t a really bad person; he s only being mean because he is jealous. Candy joins them and they discuss the dream. Even though Crooks is sceptical at first, he too gets swept up in the optimism and asks if he can join in. Curley s wife, however, spoils the optimistic mood. Her entrance is a shock (Steinbeck doesn t introduce her at all, just has her speak the reader is a shocked too) and the men clam up. It s as if she has been listening in the darkness and decided that she would like to join in the optimistic conversation too. She is angry at the men s sudden silence she is obviously not worthy enough to be talked to and rants about men and how disappointing they are. She threatens Crooks and Candy sticks up for him. The scene is all about power amongst the powerless: Crooks bullies Lennie about his attachment with George Curley s wife threatens Crooks with an accusation of rape (this would mean hanging if it stuck) Candy disrespects Curley s wife so she will go away At the end of the chapter the men return and reality is restored. Crooks returns to his miserable self and the white men go back to the bunkhouse. Chapter Three Summary This chapter is the turning point in the novel. Just like Mercutio s death in Romeo and Juliet, Candy s dog being shot sets the ball in motion towards a tragic ending. Firstly, George and Slim have a chat. George warms to Slim because of his easygoing nature and is able to open up to him. He tells us the back story to how he and Lennie ended up travelling together. George also tells us that he had not always been so responsible at one point he persuaded Lennie to jump in a river and Lennie almost drowned because of it. He also tells Slim about the incident in Weed, how the woman had accused Lennie of rape and how this was not the case. Whit, a ranch hand, is used as a plot device. He gives us information that we need to know, explaining about life on ranches and how the men spend their free time. He talks to George, remembers an old worker with affection and gives us the rundown of the local cat houses. Carlson becomes a bit of a whiner in this chapter. He complains constantly about Candy s dog and forces Candy into a position he cannot move from Carlson shows no remorse or feeling about the way he hounds (see what I did there?) Candy into killing his only companion and goes about it in a very insensitive way. After this, Candy is absolutely devastated Candy and his dog are synonymous; they are both old and not much use. The only thing is, no one would shoot Candy to put him out of his misery. Candy s dog also represents the way that Lennie is killed in Chapter 6. Think about it Lennie is taken away from the bunkhouse (where the majority of the action in the novel takes place), he is told to sit and then shot in the back of the head. George, who represents Candy, is left devastated. George tells Lennie about the dream again and Candy overhears. Candy has money stashed away (compensation money from his accident) and he offers to put in if he can share the dream too. This is probably the happiest and most optimistic part of the whole novel. The reader starts to believe their dream is possible. You know it s a great idea and forget it s a dream. Even George starts to believe. He sees an escape from their situation and grabs onto it. The dream episode is sandwiched between two unhappy events. Firstly, Candy s dog, then Lennie s fight with Curley. Curley feels ridiculed by his wife s inability to stay at home and be the trophy he wants her to be. Therefore, he picks a fight with Lennie, who he thinks is an easy target. Lennie doesn t fight back until George tells him to and ends up crushing the bones in Curley s hand. Slim and Carlson make Curley lie about what happened, protecting Lennie and showing how little he is liked and respected on the ranch. However, tension and conflict is prominent at the end of the chapter.
Chapter Six Summary The beginning of the novel is repeated with Steinbeck describing the setting of the pond. This time, it is more sinister. A heron eats a snake head first without the snake realising the heron was there. This is symbolic of what happens to Lennie at the end of the novel. It is a place of death and destiny. Lennie feels guilty and two hallucinations come to visit him. His Aunt Clara. Very much an authority figure, she is also maternal and chides him like a child. She defends George and reminds him of how good George has been to him. She accuses Lennie of being careless and letting George down. A giant rabbit. The rabbit is mean and cutting. He berates Lennie with his worst fears: George will not let him tend rabbits, then George will beat him and then leave him. These visions show us that on some level Lennie understands that he has lost his dream too. George finds Lennie and saves him by shooting him in the back of the head. It is an act of kindness that leads George to this action Lennie has no idea what is happening. George recites the dream with Lennie to lead up to the execution. Lennie tells more of it than at any other point of the novel. His enthusiasm is completely over the top and this makes the reality the bullet in the back of his head much more difficult for the reader to stomach. Lennie is shot like an animal. He is shot like Candy s dog. The characters react differently to the death. George is completely devastated. We know that he really loved Lennie as he told him that he was never mad really, just before he died. He has lost his best friend and the only person who gives a damn about him. Sniff sniff Slim understands straight away what has happened and goes to comfort George. Curley at first whoops with triumph as if it was his bullet that killed Lennie. Then it sort of dawns on him what George has done and he is a bit awed. George shot Lennie at point blank range, it would take a lot of guts to do this and Curley is aware of it. Carlson is completely oblivious to why George and Slim are so down. He doesn t understand the attachment between Lennie and George. He has no dreams. Chapter 5 Summary This is the beginning of the end. Steinbeck writes this chapter like a chain of events that are all rolling to one inevitable point: We start in the barn with Lennie cradling his dead pup. He has been too rough with it and killed it. He s terrified that George won t let him look after the rabbits now. Curley s Wife finds him in the barn and tries to talk to him. She comforts him and in doing so finds the same comfort in talking to Lennie about her issues as Crooks did in the chapter before. She tells him about her dream of becoming a movie star and that she only married Curley to get away from her mother. She lets Lennie stroke her hair, but it is not long before he becomes too rough. He panics as she starts struglling and screaming and ends up breaking her neck. ALL DREAMS ARE SHATTERED. Lennie runs off and hides by the pool like he and George decide in chapter one. Candy finds Curley s Wife s body. He gets George and they hatch a plan to discover her so that George doesn t look like he was in it. Curley instantly wants revenge. He doesn t touch his wife, but instantly rallies the men into a lynch mob. Slim on the other hand goes up to Curley s Wife and touches her cheek. This shows that Slim could possibly have had a real affection for her (whereas Curley does not). It also emphasises the impact of Lennie s actions his rough touch is contrasted with Slim s gentle stroke. All dreams are over: George is unable to envisage the dream without Lennie. He also needs Lennie s strength to work on the farm. Curley s Wife s dream shatters as she dies. Lennie knows that George won t let him tend the rabbits now. Candy breaks down in tears as his one shot at a happy retirement is snuffed out. George plans to kill Lennie. He knows that he has to find Lennie before the other men do and he steals Carlson s luger pistol (though Carlson thinks it s Lennie who stole it). NOTE: It is only in death that Curley s Wife gets her dream. She is finally beautiful and innocent, with the men giving her all the attention. How sad
George Firstly, George is the polar opposite of Lennie. Look at the physical description below and on a piece of paper, note the difference between the two characters, comparing it to Lennie on the next page. The first man was small and quick, dark of face, with restless eyes and sharp, strong features. Every part of him was defined: small, strong hands, slender arms, a thin and bony nose. Without Lennie, George would be both better and worse off. With Lennie, he has a friend, comfort and someone to share a dream with. However he is constantly nervous about what he is going to do next and still carries the guilt of tricking him to jump in the river and nearly drown. This brings a sense of loyalty to George s treatment of Lennie. Without Lennie, he does not need to worry about him doing bad things and has much more freedom to live his life how he wants. He has no family ties and no money, so technically he could do whatever and go wherever he wants. Nevertheless, until the end of the novel where George is forced to choose, George seems unsure as to which life would be better, although in his heart of hearts, he knows he loves Lennie like a brother. It causes George to have major mood swings where one minute he s yelling at Lennie, the next he s being nice. Look at the extract below to make up your own mind about how George really feels about Lennie. Lennie said. I thought you was mad at me, George. No, said George. No, Lennie, I ain t mad. I never been mad, an I ain t now. That s a thing I want ya to know. The voices came close now. George raised the gun and listened to the voices. Sure, right now. I gotta. We gotta. And George raised the gun and steadied it, and he brought the muzzle of it close to the back of Lennie s head. The hand shook violently, but his face set and his hand steadied. He pulled the trigger. The crash of the shot rolled up the hills and rolled down again. Lennie jarred, and then settled slowly forward to the sand, and he lay without quivering. George shivered and looked at the gun, and then he threw it from him, back up on the bank George is a very cautious and defensive guy. His eyes are restless, which means he s always looking for trouble. He is instantly defensive when the Boss starts asking questions and almost loses the job before they even start because of this. He takes an instant dislike to Curley and his Wife; him for his aggressiveness, her for her friendliness. This lasts for the whole novel. When Candy overhears him and Lennie talking about the dream, he is defensive at once and it is only when Candy mentions how much money he has saved that he opens up. Finally, he is suspicious of Crooks - it is unsure whether this is because he is protective of the dream or whether George is racist like most white people at the time. The only person George can talk to and open up to is Slim. He is wary at first when he makes a slip about what happened in Weed, but Slim encourages George s confidence and slowly George opens up about that and more. Through this conversation, Steinbeck is setting the other men apart from Slim and George - we already know Slim is the Prince of the ranch and this confidential talk sets the two men up as good guys. This is reinforced when Slim comforts George at the end of the novel. If there was ever an Of Mice and Men 2, I hope it would be about Slim and George s dream realised. Course he ain t mean. But he gets in trouble alla time because he s so God damn dumb. Like what happened in Weed - He stopped, stopped in the middle of turning over a card. He looked alarmed and peered over at Slim. You wouldn t tell nobody? What d he do in Weed? Slim asked calmly. You wouldn't tell?... No, course you wouldn Although he says that it is mainly for Lennie, George secretly lives for the dream. Looking at the extract below, pick out or underline all the words that show George s enthusiasm for the farm. Just like all the men, George is lonely and homesick for something he has never really experienced: a place of his own. When Candy joins the dream and suddenly all their hoping suddenly seems to be in reach, George is at his most optimistic. However, he is still realistic and level headed - Candy is the one who is most excited. His voice was growing warmer...george sat entranced with his own picture...they looked at one another, amazed. This thing they had never really believed in was coming true. Jesus Christ! I bet we could swing her. His eyes were full of wonder...they all sat still, all bemused by the beauty of the thing, each mind popped into the future when this lovely thing should come about. Through the years of being a migrant worker, George has become bitter and cynical. He is frustrated with his lack of control over what he does - he has to obey orders all the time from people he doesn t like or respect, working and making money for someone else instead of himself, he sometimes feels constricted by Lennie and having to look after him all the time, he is dislikes having to work for the sake of living and he is forced to live in primitive conditions to survive. Look at the extract below and underline all the things that frustrate him. well we ain t got any, George exploded. Whatever we ain t got, that s what you want. God a mighty, if I was alone I could live so easy. I could go get a job an work, an no trouble. No mess at all, and when the end of the month come I could take my fifty bucks and go into town and get whatever I want. Why, I could stay in a cat house all night. I could eat any place I want, hotel or any place, and order any damn thing I could think of. An I could do all that every damn month. Get a gallon of whisky, or set in a pool room and play cards or shoot pool. Lennie knelt and looked over the fire at the angry George. And Lennie s face was drawn with terror. An whatta I got, George went on furiously. I got you! You can t keep a job and you lose me ever job I get. Jus keep me shovin all over the country all the time. An that ain t the worst. You get in trouble. You do bad things and I got to get you out. his voice rose nearly to a shout. You crazy son-of-a-bitch. You keep me in hot water all the time.
Lennie Steinbeck uses different animals to describe Lennie. A bear - he is big and strong and aggressive if provoked. A horse - big and stupid, but also a very efficient and hard worker. A terrier - essentially a pet and obedient, but likes to play and be mischievous. A deer - when on the run, he is very wary and flinches at every little sound. Behind him walked his opposite, a huge man, shapeless of face, with large, pale eyes, with wide, sloping shoulders; and he walked heavily, dragging his feet a little, the way a bear drags his paws. His arms did not swing at his sides, but hung loosely His huge companion dropped his blankets and flung himself down and drank from the surface of the green pool; drank with long gulps, snorting into the water like a horse Lennie s innocence is a blessing and a curse. Unlike George, Lennie would never have become a bitter and cynical old men because he doesn t think that way. He works hard and takes orders without thinking about them, which makes him very employable. George can tell him any secret or confession and he will either not understand or forget (Crooks finds this comforting too). He has simple and cheap pleasures, therefore he is an advantageous person for George to team up with and earn money. However, Lennie doesn t know his own strength, and what considerable strength it is! He gets easily scared and reacts in a way grown men don t usually do, which is why he gets himself in trouble. He does not know how to properly show his anger without getting physical, which is why the pup and Curley s Wife end up dying. What we must remember, though, that all of Lennie s aggression is done out of lack of understanding and innocence, which makes him different from the other aggressive characters of the novel - we feel sorry for Lennie in a way that we don t feel sorry for Curley. Lennie identifies with animals. They are simpler and uncomplicated creatures, which makes them easier for Lennie to befriend than actual people. The animals he chooses are usually soft and prey - defenceless animals that he usually kills. He is very possessive over his animals and wants to keep them close to him, maybe as a child does a cuddly toy nowadays. However, he is not very good at hiding things from George and he rumbles Lennie every time he tries to sneak something past him. Plus, animals seem to know he is tame and friendly. The mother of the pup allows him to play about with him and the others without being threatened. He is completely dependent on George. Without George, Lennie would be unable to survive on his own and would have probably starved after the death of his Aunt Clara. He copies George constantly and relies on him to make his decisions for him. He takes comfort in knowing that George knows everything about him and he feeds off George s attention. George also goes some way to stimulating his mind by reinforcing the idea of the dream. Lennie knows this off by heart and keeps it almost as a comfort blanket, yet only truly enjoys it when George tells the story. Look at the two extracts below and explain to yourself how they illustrate the relationship between Lennie and George. Lennie, who had been watching, imitated George exactly. He pushed himself, drew up his knees, embraced them, looked over to George to see whether he had it just right. He pulled his hat down a little more over eyes, the way George s hat was. Then Curley s rage exploded. Come on, ya big bastard. Get up on your feet. No big son-of-a-bitch is gonna laugh at me. I ll show ya who s yella. Lennie looked helplessly at George, and then he got up and tried to retreat Lennie gave a cry of terror. Blood welled from his nose. George, he cried. Make um let me alone, George. He backed until he was against the wall, and Curley followed, slugging him in the face. Lennie s hands remaining at his sides; he was too frightened to defend himself Lennie covered his face with his huge paws and bleated with terror. He cried, Make um stop, George....Lennie took his hands away from his face and looked about for George, and Curley slashed at his eyes. The big face was covered with blood. George yelled again, I said get him. Curley s fist was swinging when Lennie reached for it. The next minute Curley was flopping like a fish on a line, and his closed fist was lost in Lennie s big hand. However harmless Lennie seems, we cannot forget that he is a killer. He is what we call a dichotomy (something made of two very different parts), the gentlest and the most dangerous at the same time. From the very first chapter we know that he has a dangerous streak and as the novel progresses the body count stacks up: mice, pups, women Look at the extract below and using two colours, highlight Lennie s harmless and dangerous sides. He scooped a little hollow and laid the puppy in it and covered it over with hay, out of sight; but he continued to stare at the mound he had made. He said, This ain;t no bad thing like I got to go hide in the brush. Oh! No. This ain t. I ll tell George I found it dead. He unburied the puppy and inspected it, and he stroked it from ear to tail. He went on sorrowfully, But he ll know. George always knows. He ll say you done it. Don t try to put nothing over on me. An he ll say, Now jus for that you don t get to tend no rabbits! Suddenly his anger rose. God damn you, he cried. Why do you got to get killed? You ain t so little as mice. He picked up the pup and hurled it from him. He turned his back on it. He sat bent over his knees and he whispered, Now I won t get to tend the rabbits. Now he won t let me. He rocked himself back and forth in his sorrow. Lennie realises he has done a bad thing at the end of the novel, which shows he has some mental understanding of right and wrong. He also displays some sense of guilt at his actions too in the form of the hallucinations in chapter six. They take the form of two prominent characters in his life: Aunt Clara and a rabbit. From what we can understand, Aunt Clara seems to be a formidable woman and the law enforcer of his youth. Lennie turns into an actual child when she tells him off. The rabbit symbolises the dream and Lennie, on some level, knows the dream cannot happen when the rabbit rejects him.
Candy Candy s character acts as part plot device and part developed character. He allows Steinbeck to introduce and develop the characterisation of the other characters on the ranch without having to go into loads of detail. He also symbolises the end product that a life working on the ranches produces. He has only one hand due to an accident, he is not much use and soon to be sacked without a second thought to scrounge whatever living he can until he dies. His name itself is also ironic - it is clear that Candy s life is far from sweet. Look at the description of him from chapter two - what can you tell about his life from it? The door opened and a tall, stoop-shouldered old man came in. He was dressed in blue jeans and he carried a big push-broom in his left hand. Regardless of his hard life, Candy is not as bitter and cynical as George is. He is still friendly and quite upbeat when we meet him. He is patient with George s mood swings and kind to Lennie. Although he is angry with her, he understands that Curley s Wife didn t deserve to die that way. Nevertheless, Candy is also desperate. He is old and weak and clings onto the idea of the dream so that he can live his final days in peace. He even offers to put in most of the money and to leave the place to George in his will just to get out of his inevitable fate - and he s only known them for a day! At the end, he is left behind with Curley s dead wife, his dead dream, a dead dog which would remind him of his own dead dog and a dead future. Candy is devastated when his dog is shot. Not only was it his only companion, however useless ( a bit like Lennie when you think about it), but he also symbolised Candy himself, only no-one will shoot him when he is no good any more. Look at the extract to see how his cheery personality has been changed by this incident. A shot sounded in the distance. The men looked quickly at the old man. Every head turned toward him. For a moment he continued to stare at the ceiling. Then he rolled slowly over and faced the wall and lay silent...he said miserably, You seen what they done to my dog tonight? They says he wasn t no good to himself nor nobody else. When they can me here I wisht somebody d shoot me. But they won t do nothing like that. I won t have no place to go, and I can t get no jobs I ought to of shot that dog myself, George. I shouldn't ought to of let no stranger shoot my dog. Crooks Until the Black Civil Rights Movement in the 1960s, it was acceptable and common for black people to be treated badly. Crooks is no different. Although he has skills no other worker on the ranch has - he has an actual trade rather than just being able to do unskilled manual labour and he is best at the horseshoes game - he is at the bottom and excluded from most things. He is only present in chapter four with the other rejects (Candy, Lennie and Curley s Wife). Crooks has his own room. This is because he is crippled and has stayed at the ranch much longer than the other men, his job is different from the other man, but mainly he is separated because of his colour. Crooks has the illusion of power by having many possessions and privacy, but these things only isolate him further. Look at the extract and explain to yourself what it tells you about his situation and character. And scattered about the floor were a number of personal possessions; for, being alone, Crooks could leave his things about, and being a stable buck and a cripple, he was more permanent than the other men, and he had accumulated more possessions than he could carry on his back. His body was bent over to the left by his crooked spine, and his eyes lay deep in his head, and because of their depth seemed to glitter with intensity. His lean face was lined with deep black wrinkles, and he had thin, pain-tightened lips which were lighter than his face. We see two sides of his personality depending on who he is talking to. With Lennie, we see him using and abusing his power over him by teasing and taunting Lennie. We are angry at this behaviour, but we should also remember that this is probably the same behaviour he receives from the white men all the time. On the other hand, with Curley s Wife, she has the clear power by threatening him with lynching. We see a very different reaction. Crook s face lighted with pleasure in his torture. Nobody can tell what a guy ll do, he observed calmly. Le s say he wants to come back and can t. S pose he gets killed or hurt so he can t come back...crooks bored in on him. Want me ta tell ya what ll happen? They ll take ya to the booby hatch. They ll tie ya up with a collar like a dog. Crooks stood up from his bunk and faced her. I had enough, he said coldly. You got no rights comin in a coloured man s room. You got no rights messing around in here at all. Now you jus get out, an get out quick. If you don t, I m gonna ast the boss not to ever let you come in the barn no more. She turned on him in scorn. Listen, nigger, she said. You know what I can do to you if you open your trap? Crooks stared hopelessly at her, and then sat down on his bunk and drew into himself. She closed on him. You know what I could do? Crooks seem to grow smaller, and he pressed himself against the wall. Yes ma am. Well, you keep your place then, Nigger. I could get you strung up on a tree so easy it ain t even funny. Crooks had reduced himself to nothing. There was no personality, no ego - nothing to arouse either like or dislike. He said, Yes, ma am, and his voice was toneless. Crooks talks a lot about loneliness. His experience and sadness is intensified by how much he enjoys the little conversation he has with Candy and Crooks. We feel sympathy for his character, his situation and his treatment. Steinbeck was making a point about racism when writing this character - he exposes the bad treatment of Crooks without sounding racist himself, which shows he thought it was wrong. Crooks is very cynical about dreams. He has seen too much and his life has made him too bitter to truly believe and Curley s Wife delivers him a sobering reality check. Sadly, in the end he was right.
Curley s Wife She is the only actual woman we meet within the novel and she gets a really hard time of it. The men either fancy her or hate her and they have plenty of negative things to say about her. Look at these three extracts; one where she is introduced to us, one where she is left with the other rejects and one when she is dead - what does Steinbeck want us to think about her in each extract? Both men glanced up, for the rectangle of sunshine in the doorway was cut off. A girl was standing there looking in. She had full, rouged lips and wide-spaced eyes, heavily made-up. Her fingernails were red. Her hair hung in little rolled clusters, like sausages. She wore a cotton house dress and red mules, on the insteps of which were little bouquets of red ostrich feathers. I m lookin for Curley, she said. Her voice had a nasal, brittle quality. Any you boys seen Curley? They swung their heads toward the door. Looking in was Curley s wife. Her face was heavily made up. Her lips were slightly parted. She breathed strongly, as though she had been running She stood still in the doorway, smiling a little at them, rubbing the nails of one hand with thumb and forefinger of the other. Curley s wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was very pretty and simple, and her face was sweet and young. Now her rouges cheeks and her reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head and her lips were parted. She is a very disruptive influence. She gets herself into trouble and drives Curley mad by wandering around the ranch all the time. We get the impression that there is some truth in the men s accusation of jailbait and rattrap, but we also know that Curley ain t a nice fella and she is clearly regretting marrying him after only two weeks. We feel sorry for her as she is like Crooks - isolated and separate by her situation and treatment. Curley makes it no secret he has joined the men at the brothel yet she has to stay at home by herself. She also has a dream. Although different, her dream of being a famous movie star is just as, if not more, impossible than the men s dream. She seems bitter in the novel, but that is because her realisation that her dream is dead has already come to pass when she married Curley. It is her desire to share her dream that gets her killed. It is ironic that she is killed at her kindest moment. By opening up to Lennie and sympathising with him about the dead pup, she allows him to stroke her hair. She s not stupid. She knows she is attractive and uses this to get attention and power. She is well aware that she has more power on the ranch than Candy and Crooks and seems to enjoy inflicting pain just like Crooks did to Lennie. She also hints at understanding men and what they want. However, she is the only one without a name. Curley Curley sets himself out as an enemy to everyone from the very start. He is aggressive to Lennie and George at the beginning and the way Candy, Carlson and Slim talk to him it is clear that he has no friends on the ranch. Look at the extract below and analyse his character from the words used. At that moment a young man came into the bunk house; a thin young man with a brown face, with brown eyes and a head of tightly curled hair. He wore a work glove on his left hand, and like the boss, he wore high-heeled boots...his eyes passed over the new men and he stopped. He glanced coldly at George and then at Lennie. His arms gradually bent at the elbows and his hands closed into fists. He stiffened and went into a slight crouch. His glance was at once calculating and pugnacious. Curley is rubbish at relationships. He flaunts his sexual relationship with his wife using the glove fulla Vaseline, but he clearly shows no affection towards her and spends half his time making sure she is not cheating on him. In fact the only time we ever see them together is when she s dead. The men don t respect him and although he is supposedly a celebrated boxer, none of the men are afraid to stand up to him. Although he wears high-heeled boots like his dad the Boss, no one respects him and all they do is highlight his insecurity and isolates him from the bunkhouse men even further. Curley never gets what he wants. He has a disastrous marriage, he gets made a fool of by Lennie, he doesn t even get to shoot Lennie. He is small and fast, and has a complex about this, so picks on big guys. He also wants to be admired and accepted and tries to get this from fighting Lennie. Look at these two before and after extracts that show how wrong this goes. The door opened. Slim came in, followed by Curley and Carlson and Whit. Slim s hands were black with tar and he was scowling. Curley hung close to his elbow. Curley said, Well I didn't mean nothing, Slim. I just ast you....curley whirled on Carlson. You keep outta this les you wanta step outside. Carlson laughed... You come for me, an I ll kick your God damn head off. Candy joined the attack with joy. Glove fulla Vaseline, he said disgustedly. Curley glared at him. His eyes slipped on past and lighted on Lennie; and Lennie was still smiling with delight at the memory of the ranch. Curley sat down on the floor, looking in wonder at his crushed hand...slim smiled wryly. He knelt down beside Curley. You got your senses in hand enough to listen?...i think you got your han caught in a machine. If you don t tell nobody what happened, we ain t going to. But you jus tell an try to get this guy canned and we ll tell ever body, an then will you get the laugh.
Slim Like Crooks, Slim is the only other one of the ranch workers that has an actual trade and skill. He is a jerkline skinner, which means he controls a team of horses. Therefore he is the top dog in the bunkhouse and he is respected for his authority, his friendliness and the fact he is also one of the bunkhouse gang too. He is easy-going and his work team is the best to work on; even Curley s Wife likes him and he is the only one she calls by name. He treats Crooks with respect. Look at the extract below. Slim gets the biggest character introduction of all the characters in the novel. Highlight all the words that you think are important and explain what they show you. A tall man stood in the doorway. He held a crushed Stetson hat under his arm while he combed his long, black, damp hair straight back. Like the others he wore blue jeans and a short denim jacket. When he had finished combing his hair he moved into the room, and he moved with a majesty only achieved by royalty and master craftsmen. He was a jerkline skinner, the prince of the ranch, capable of driving ten, sixteen, even twenty mules with a single line to the leaders. He was capable of killing a fly on the wheeler s butt with a bull whip without touching the mule. There was a gravity in his manner and a quiet so profound that all talk stopped when he spoke. His authority was so great that his word was taken on any subject, be it politics or love. This was Slim, the jerkline skinner. His hatchet face was ageless. He might have been thirty-five or fifty. His ear heard more than was said to him and his slow speech had overtones not of thought, but of understanding beyond thought. His hands, large and lean, were as delicate in their action as those of a temple dancer. He plays a supportive role to many key events in the novel, although he is never at the centre of them. He gives Carlson the nod of approval when he shoots Candy s dog. He cleans up the mess at the end of the fight and protects Lennie and George. He checks that Curley s Wife is dead when she is discovered. He comforts George after he shoots Lennie. Slim came directly to George and sat down beside him, sat very close to him. Never you mind, said Slim. a guy got to sometimes...you hadda, George. I swear you hadda Slim is set apart from the other men by the way he is described. The language used is much more emotive and elegant compared to the straightforward descriptions used throughout the rest of the novel. Steinbeck calls him godlike and ageless which gives him a mystical and spiritual element to his character. We know very little about his life and what he has done to be working at the ranch - we clearly get the impression he is better than it. We wonder why he doesn t have a place of his own, which makes us ask the questions: maybe he doesn t want his own? Maybe he can t see the point of trying? Slim is certainly not cruel, but he is very practical. He does or agrees to certain cruel things because he knows it is best. For example, he allows Carlson to shoot Candy s dog because he knows it s the kindest thing for it. His judgement is not clouded by affection like Candy s. He drowns four of his dog s pups, otherwise they would have all died because she wouldn t have been able to support them. He understands George had to kill Lennie, but tries his best to comfort him afterwards. Slim is the only one who treats Curley s Wife as a human being. He calls her good lookin although we get no inclination that there is anything other than a casual admiration for each other. It is at the end, however, that we get a sense of affection. The way that Slim touches her body betrays a certain sentiment, though this maybe perfectly innocent. Look at the extract below and make up your own mind. Outside the noise of the game stopped. There was a rise of voices in question, a drum of running feet and the men burst into the barn. Slim and Carlson and young Whit and Curley, and Crooks keeping back out of attention range. Candy came after them, and last of all came George. George had put on his blue denim coat and buttoned it, and his black hat was pulled down low over his eyes. The men raced around the last stall. Their eyes found Curley s wife in the gloom, they stopped and stood still and looked. The Slim went quietly over to her, and he felt her wrist. One lean finger touched her cheek, and then his hand went under her slightly twisted neck and his fingers explored her neck. When he stood up the men crowded near and the spell was broken. Carlson Carlson is important to the novel, because he is a catalyst (he makes other things happen). He plays an active role in the shooting of Candy s dog, the build up to Lennie and Curley s fight, the shooting of Lennie and he has the last word of the whole book. Is this a coincidence? Although not outwardly aggressive, Carlson seems to enjoy the conflict around him. He pushes Candy into killing his dog by constantly moaning and stirs up Curley by calling him yella as a frog belly and a God damn punk. Look at the extract below where Carlson stirs up trouble. What can you tell about his character? God awmighty, that dog stinks. Get him outta here, Candy! I don t know nothing that stinks as bad as an old dog...got no teeth he s all stiff with rheumatism. He ain t no good to you Candy Why n t you shoot him, Candy?...The way I d shoot him, he wouldn t feel nothing. I d put the gun right there. He pointed with his toe. Right in the back of the head. He wouldn t even quiver. Slim said You know what to do. What ya mean, Slim? Take a shovel, said Slim shortly. Carlson is very insensitive. We do not know how long he has worked on ranches, though we get the impression that he doesn t think about others feelings because he s shut down his own to protect himself from loneliness. He cleans his gun right in front of Candy, he points at the dog with his boot and never apologises for bullying him into to killing his only friend. We also see the same insensitivity towards George for killing Lennie when he says now what the hell ya suppose is eating them two guys? He does not comprehend that, just like Candy, George could be sad about killing the only friend he had in the world.
Whit Whit, in some ways, is the most tragic of all characters in the novel because he is naïve. He is too young to understand that he is doomed to live a life of work and loneliness and yet shows the early signs of succumbing to his fate. He acts as a plot device because he supplies information about ranch life and the culture. He is unaware that he could one day become Candy. He is peppy and enthusiastic. He is keen to enter into conversation with Slim and tries to keep his attention for as long as possible. He shows signs he is already doomed from his sloping shoulders that are still carrying invisible grain bags and he clings onto the letter by Bill Tanner. He will probably never meet this guy again and didn t know him very well then, but he is so happy to know someone outside of the bunkhouse and ranch that it highlights just how lonely he is already. He is possessive of this shred of friendship. Look at the extract below and find evidence of this. A young labouring man came in. His sloping shoulders were bent forward and walked heavily on his heels, as though he carried the invisible grain bag. He went to his bunk and put his hat on his shelf. Then he picked a pulp magazine from his shelf and brought it to the light over the table. Did I show you this, Slim? he asked. The young man turned to the back of the magazine, put it down on the table and pointed with his finger. Right there, read that. Slim bent over it. Go on, said the young man. Read it aloud. Dear Editor, Slim read slowly... Slim looked up questioningly. What you want me to read that for? Whit said, Go on. Read the name on the bottom. Slim read, Yours for success, William Tenner. He glanced up at Whit again. What you want me to read that for? Whit closed the magazine impressively. Don t you remember Bill Tenner? Worked here about three months ago? You think he s the guy wrote this letter? I know it. Bill and me was in here one day. Bill had one of them books that just come. He was lookin in it and he says, I wrote a letter. Wonder if they put it in the book! But it wasn t there. Bill says, maybe they re savin it for later. An that s just what they done. There it is....george held out his hand for the magazine. Let s look at it? Whit found the place again, but he did not surrender his hold on it. He pointed out the letter with his forefinger. And then he went to his box shelf and laid the magazine carefully in. I wonder if Bill seen it, he said. Bill and me worked in that patch of field peas. Run cultivators, both of us. Bill was a hell of a nice fella. Although unaware of his future, he understands the dramas of the ranch very well. He can sense the tension between Slim and Curley and he likes to get in and observe the action. He runs off after Curley when there s a promise of a fight. Ranch Life and Culture Obviously, it s a very male environment, one of the reasons why Curley s Wife is so misplaced. The men play competitive games, they drink whisky and disregard each other s emotional girly sides. Loneliness is even shown in the very fabric of the novel. George keeps playing the card game solitaire, which mirrors him making himself solitary at the end of the novel. The ranch is in a town called Soledad which means loneliness in Spanish. America is traditionally a very religious country, yet we see no religion on the ranch. We see no religious values either. The closest thing you get to anything spiritual is Slim and his godlike eyes. The men do not go to church and only dress up to go out on a Saturday night to drink and pay for sex. Maybe Steinbeck is hinting that these men are doomed in this life and the next? Talking about brothels and paying for sex is a normal and accepted part of their life. They speak more freely because it is all boys together and they do not have any female influence to judge them, except for Curley s Wife, but they all ignore her anyway. This acceptance of paying for sex is odd for a modern reader and we look down on them for it. However, we can also feel sympathetic towards the men as this is the only way they can get any intimacy with anyone of the opposite sex in their situation. Sad. All the men know their place and there is a strict hierarchy. The Boss wears spurs and has a horse. He has the power to hire and fire and reward. Curley, being the Boss son, also wears spurs and is second in command. However, none fo the men like him and he is only in that position of power because of his connections with the Boss. He is a bit of a liability. Slim is respected and effectively the leader of the men. However, Slim is also dependent on the Boss as he still has the ability to fire him. After that, it depends on how old, healthy and new the character is to the ranch. Whit, Carlson and George are on a par, because they are all intelligent workers who all can stand up for themselves. Candy, Crooks and Lennie are the bottom rungs because they all have something wrong with them and other factors, such as age, intelligence and race also contribute to their lack of status. One of the main messages of the novel is that ranch life is not healthy. It can end in the destruction of dreams, in injury and even in death. They end up being turned into machines and robots and Steinbeck is very clear on showing us how bad life turns out with men who have been turned into a machine (Lennie) or a robot (Carlson).