DAVE COULTER 70 YEARS IN THE MAKING

Similar documents
Please initial and date as your child has completely mastered reading each column.

Anthony Quinn. Artist Catalogue. Gallery Different. 14 Percy Street London W1T 1DR +44(0)

Read & Download (PDF Kindle) The Rabbit Handbook (Barron's Pet Handbooks)

Chapter One. For everyone at Park Lane Primary School and especially for Class 3S and 3R!

A NOTE FROM THE CREATOR

shelter for decades to come!

SPERONE WESTWATER. 257 Bowery New York T F

Artists And Their Cats By Alison Nastasi READ ONLINE

9 reasons why, the autobiography of,

Lessons and Naturalistic Features of To Build a Fire. To Build a Fire is a story with lessons to be learned, for both adults and children.

CHURCHILL S TALE OF TAILS

Welcome to the Steiff Museum! DISCOVER an extraordinary destination full of surprises, experiences and emotions.

Did you know the peanut is not really a nut? It. looks like one, but it s not. Peanuts are the seeds of a plant and belong to the pea family.

CRIED NINJA, PENGUIN S HIDDEN

Beauty, temperament and health as fundamental criteria for a correct selection

Visiting the Aspen Art Museum

Caring and. sharing. We love Hong Kong. 2 Small houses News report. 3 Food in a basin Fun and games Description. 4 Computer Jobs Biography

How much wool does a lamb grow every year? About seven pounds altogether. That s enough to make two warm coats or four pairs of pants.

Sharing Sam What Does It Take to Care for a Dog? Author Name(s)

With special thanks to: Yi-Hsuan Lee, Yulu Wan, Qin Wu, Li Hao, Emily Decker. Alice Raymond and. Edward Stanford-Clark

Parable of the Good Shepherd

THE MAINE COON CAT BY LIZA GARDNER WALSH DOWNLOAD EBOOK : THE MAINE COON CAT BY LIZA GARDNER WALSH PDF

Appreciation and Analysis of "The Dog's Notes"

Ancestry Report. Kai. W hat b re eds make u p Kai? Mixed breed Ancestor. See next page for more details... Maltese Mix crossed with Löwchen

Victorian-Era. Chimney pots, Yesterday and Today. Why Order from ChimneyPot.Com?

Camp Sonrise: The Lost Sheep is Rescued by Rebecca Wimmer

Saint Bernards. and Other Working Dogs. by Holly Schroeder illustrated by Troy Howell. Scott Foresman Reading Street 2.2.5

WHAT BREEDS MAKE UP MIDNIGHT 3?

The use and misuse of emotion. Section 5: the inspiration business. 5.4a. Emotional fundraising must be in our DNA!

He had to stay in the hospital on more sedatives until Sunday morning, but had not had more seizures.

The Old Wives tales of Budgerigars: Always Pair Best to Best

Chasing Rabbits: Understanding Urbanized

MAN-(walking by the woman)- Come Rocky, let s play hold still now let me get this leash off go on go take care of business.

The Old Man And The Cat: A Love Story (Center Point Large Print) By Nils Uddenberg

T H E UNIQUE FEN C ING S Y S TEM

St. Nicholas College College 7

Dinosaurs Learn About Dinosaurs And Enjoy Colorful Pictures Look And Learn 50 Photos Of Dinosaurs

START: Read 1 Guide for Repeated Interactive Read-Alouds

Frank & August Daelemans. Pigeon Catalogue 2007

Common Core Lesson Plan. Title: The Tortoise, the Spider, and a Woman Spinning Gold

If the good Lord had wanted most of us to see the sunrise, He would of scheduled it later in the day.

Course Pack Introduction to Canine Anatomy and Physiology

bouquet encircle fussy sparkles emotion express portraits whirl Finish each sentence using the vocabulary word provided. Possible responses provided.

Canine Contact. Canine Contact. Penny Bloodhart. ArtAge Senior Theatre Resource Center, ,

Directions: Read the passage. Then answer questions about the passage below. Neighbours from Hell.

DNA game. This pack contains: 36 dad cards 36 mom cards 10 chance cards a two page worksheet for students

金賞 :The Teddy Bear. 銀賞 :Blue Virus. 銀賞 :Hide and Seek. 銀賞 :The Fountain. 銀賞 :Takuya and the Socks

Reiki Healing for Cats

Shackleton and Leadership Assembly Plan

Walk for Animals Team Toolkit

ST NICHOLAS COLLEGE HALF YEARLY PRIMARY EXAMINATIONS. February YEAR 5 ENGLISH TIME: 1 hr 15 min (Reading Comprehension, Language and Writing)

Groomer's Training Brochure

Novice Owner - Perfect Victim!?

The Piano Book: Buying & Owning A New Or Used Piano PDF

CATS in ART. Desmond Morris

Download The All Breed Dog Grooming Guide Kindle

How Turtle Cracked His Shell from the novel Things Fall Apart by Chinua Achebe

Fostering Q&A. Indy Homes for Huskies

Animals Feel. Emotions

CHRISTOPH STRASSER: The more competitive and the tighter the race, that s the best way! By Vic Armijo

The Reptile Room A Series Of Unfortunate Events 2 Lemony Snicket

"Education is not the filling of pail, but the lighting of a fire." WILLIAM BUTLER YEATS

Media Relations Plan. Lindsay Anderson Lorelei Gray Kelli Frederickson Erica Pouliot

SEARCH and RESCUE DOGS TECHNICAL NOTE

Thyme Essential Oil: The Farmacy Cabinet Series By Karen Badea

Ancestry Report. Lotje. W hat b re eds make u p Lotj e? Mixed breed Ancestor. See next page for more details...

THINKING ABOUT THE E-COLLAR A Discussion with Maurice Lindley By Martha H. Greenlee

Bart Walter sculptor C OLL E C T OR S CATALOGUE Selected Works

Download Dog Anatomy Workbook: A Guide To The Canine Body Books

Cat Gallery Page-a-Day Calendar 2006 By Workman Publishing

Welcome to the Fan Club Home Page Answers to some questions so far: NEW - A Congratulations on your superior observation work.

Judging Beef. Parts of the Beef Animal. The objective of this unit is to:

Robert s. Worst. Sheep Shearing Day EVER! Written and Illustrated by Kelly Swain, Linda Green and Leo Glass

Grade 5 English Language Arts

SALISBURY& DISTRICT PHILATELIC SOCIETY

THE WINDSOCK S P O O K Y

K - 3 rd Grade. Name: Club Name: Your Age: Years in 4-H: CBFun

Robinson Garden. Catalogue. Bespoke Garden Products

ARTWORK AUCTION FEATURING ARTWORK FROM THE LYNDA STOFAN COLLECTION

Max WHAT BREEDS MAKE UP MAX? German Shepherd Dog Mix crossed with Cocker Spaniel / Maltese Cross

FLAME! The Story of a Very Special Dog. by Carol Rea

Anglia Examination Syndicate (England) Certificate in English for Overseas Candidates

Guide to walking long distances with small dogs

By Aliki Text Type: Fiction: Narrative Wordless Picture Book

Weekly Test Lesson 10

Never. Breaks. a bond that. Pet Loss. By Lauren Moore

Dog: 5000 Years Of The Dog In Art By Tamsin Pickeral READ ONLINE

Koko's Kitten (Reading Rainbow Books) Download Free (EPUB, PDF)

EUROPEAN KANGOUROU LINGUISTICS ENGLISH-LEVELS 5-6 ENGLISH. LEVEL: 5 6 (E - Στ Δημοτικού)

Table of Contents. Meet Dakota, the Friendly Wolf...8. YouthLight, Inc. Appendix B: The Maligned Wolf Story...61

JUNE 2010 tm MARCIA MOTHER TO THE STREETS. Trying to Save? TRY THE ENVELOPE SYSTEM. Your Toddler THE TERRIBLE TWOS. Joys & Challenges OF JOB SHARING

For the Love of Dog. Since my earliest memories I have always been an animal lover, especially dogs. From

Bandit. The Chubby Chihuahua. by Pat Postek. Illustrated by Brad Davies

DIGITUS Network Cabinet Unique Series, 600, 800 mm width - 600, 800, 1000, 1200 mm depth

CATNIP OPERATION 2014 ANNUAL REPORT SAVING COMMUNITY CATS

L ED. A birth defect meant that Spencer had to look for a different sport. His choice has been a howling success.

Becoming conscious of what s been lost the way objects do

Learn with Dogs Trust!

Making a plan for your pet s future can bring you comfort, and by leaving a bequest you are also helping other animals in need.

Do Now. Copy Homework: 1. Complete Journal Question and finish identity charts 2. Read 30 minutes THEN.. Read quietly. You have 7 minutes.

Transcription:

DAVE COULTER 70 YEARS IN THE MAKING 29th September - 13th October 2017 All works Are AvAilAble for sale upon receipt of this catalogue Cheshire Art Gallery 13 Ack Lane East, Bramhall, Stockport, Cheshire, SK7 2BE +44 (0)161 217 0625 info@cheshireartgallery.co.uk www.cheshireartgallery.co.uk

DAVE COULTER 70 YEARS IN THE MAKING - it s an appropriate title for this solo exhibition of Dave coulter s work because it reflects the simple truth of what lies behind Dave s paintings. Art always was and will always be his reason for existence. Dave creates Art with a sincerity and authenticity that is quite unique in today s art world. he was born into Art, his father was an art lover and an artist himself, therefore art was genetically embedded into his DnA, even before he had opened his eyes to look about the place where he was born. it was his birthplace that he developed a deep love and respect for. it may well be that his love of place was not so much because the bricks and mortar of the buildings that built the city of his birth, but the warmth, depth of kindness and sincerity of all the people that inhabited it and that were around Dave, those people that he loved as a child, a youth and now a mature artist. i believe that the city buildings of Manchester and salford are but a catalyst that enables Dave to visualise those human feelings in his own unique way. growing up in Manchester or salford in the years following world war ll, was both difficult and, ironically, something of a blessing. the trauma s of world war two had intensified and strengthened the society of britain. the people held shared values, they gave of everything they had gladly, should it be needed by a friend, a neighbour or even a stranger. be that food, shelter, clothing or fuel. it was a society that looked after itself and each other in good or bad times. Most evident when a loved one had died and when the shoulder of your neighbour was the first to present itself, not only with sympathy, but with real and heartfelt empathy. how do i know this is true? well, i was born around the same era and in a very similar circumstance as Dave. it was this commonality of personal history that added to our immediate liking of each of other, which was only a year or so ago, when first met each other. As an artist myself my interest was and still is, in his paintings. it was when i viewed them remotely (on the www), that i knew immediately his work had something special about them. i had no real knowledge of him or his background, before i met him in the salford Museum and Art gallery cafe with the intention of interviewing him for the Art magazine i am the editor for. in life sometimes you meet someone, and for reasons beyond our knowledge, there are those people, albeit very few, which you feel you have known all your life. that s how Dave and i both felt about each other on that day in salford as we talked about life and art whilst sharing a pot of tea. it was the first of a few meeting and the beginning of a friendship that will endure. perhaps it was because of that immediacy of artistic fellowship that i was also able to fully appreciate and completely understand his art, by way of a not so common artistic morality. And it is why i am able to write this introduction about his work and to be able to convey to you, the visitor of this exhibition, what it is that is special about the Art of Dave coulter.

there are artists who create a painting with aesthetic values only and there are those that have the additional ability of being able to translate authentic emotional content onto a flat surface (i.e. a canvas). some acquire that special ability over time and with dedication to their art, others are born with that gift. Dave coulter is the latter of that kind of artist. 7o years in the making, is quite literally what his work represents. for example one of his early works, street kids, has the same positive emotional content that his new work is imbued with. his usual subject matter are city scape s, a popular subject with many painters these days. with Dave s work they are more than illustrations of the bricks and the mortar of yesterday, or indeed the steel and glass constructions of today. they are feelings, real sensations of his life and his relationship to the city where he was born. And how it has developed and how he has developed along with it. his painting style is not static, it is dynamic and has changed, just as much as the people and the twin cities of Manchester and salford have changed and continue to do so. the original compositions he creates are first manifested in the eye, from pure observation, these images travel from his mind s eye, down through his heart, into his arm and hand and on to the brush, which loaded with colour, then goes directly onto the canvas. each phase of the travelling-process translates and enhances each and every individual brush stroke. these brushstrokes could number hundreds or even thousands, one that eventually becomes one work of art. Dave works quick and instinctively, he is assisted by decades of experience of using colour and tonal values to achieve the final painting. he is also an adept technician, as far as the nuts and bolts of Art are concerned. he is well read and has considered and utilised the very best of the tried and tested technical formula for the preparation of his canvas from the masters of art of previous centuries. this ensures his work maintains a consistent quality of finish and longevity. he has also has a deep-well of knowledge of the modern artists (painters) of the recent past, those who opened his eyes, when he was still quite young, as to what could be achieved or what was attainable with authentic and original Art creation. he also shares his knowledge of art and painting with all those who are prepared to listen. You will often find him with both young and old artists, freely imparting his lifelong lessons. which, to my mind, is the sign of a real artist of distinction. full recognition of his talent had been a long time coming for Dave and perhaps it is because he hadn t really considered that label as that important for his art, maybe it s a reason that he has been wrongly overlooked by the official art establishment and the organised art academies of his home town for so long. that lack of official academic recognition has been more than compensated for however, it s comes in the solid shape of thousands of admirers of his work from all levels of society, from the north of england to beyond the shores of the uk. his work is also sought after by discerning collectors and exhibited by insightful gallery owners, such as cheshire Art gallery. when the salford Museum and Art gallery made the decision to mount an installation of the life and times of tony warren, the originator and writer of the world famous coronation street tv soap drama, Dave coulter was the first artist that they asked to provide paintings to create the atmosphere for it. they couldn t have asked a better or more qualified artist to do exactly that, other than Dave coulter. typically, Dave responded to them with a question, how many do you want? - i work fast, you know! - what he omitted to tell them was that all the paintings that he now creates has actually taken 70 years to perfect and now exist as the wonderful and unique works of art they really are, some of which you can see for yourself on the walls of this gallery today. Dave coulter, 70 years in the making exhibition... (28th September - 13th October 2017) foreword for the catalogue written by Denis taylor. Artist and editor of painters tubes magazine.

RUSH HOUR DEANSGATE 36" x 36" inches cat no. 01

PICCADILLY RAIN 20 x 24 inches cat no. 02

OXFORD STREET IN THE RAIN 20 x 24 inches cat no. 03

DEANSGATE STUDY 7 x 9 inches cat no. 04 PALACE THEATRE FROM RITZ 18 x 24 inches cat no. 05

DEANSGATE TWILIGHT 40 x 40 inches cat no. 06

PRINCESS STREET 20 x 24 inches cat no. 07

OXFORD ROAD SUNSET 20 x 24 inches cat no. 08

DEANSGATE TRAFFIC 20 x 24 inches cat no. 09

CAR PARK 20 x 16 inches cat no. 10 CAR PARK STUDY 7 x 9 inches cat no. 11

PETER STREET TO REFUGE 36 x 36 inches cat no. 12

DEANSGATE 20 x 24 inches cat no. 13

ALBERT SQUARE 20 x 24 inches cat no. 14

OXFORD STREET MORNING 20 x 24 inches cat no. 15

CROSS STREET TRAM 16 x 16 inches cat no. 16 MOSLEY STREET TRAM 10 x 12 inches cat no. 17

OXFORD ROAD VISTA 28 x 36 inches cat no. 18

LOOKING UP PETER STREET 24 x 20 inches cat no. 19

OXFORD STREET 20 x 24 inches cat no. 20

DEANSGATE AT NIGHT 12 x 16 inches cat no. 21 OXFORD STREET STUDY 10 x 12 inches cat no. 22

DEANSGATE SUNSET 40 x 40 inches cat no. 23

OXFORD STREET VISTA 20 x 24 inches cat no. 24

WITHY GROVE, SHUDE HILL 20 x 20 inches cat no. 25

LIBRARY AT NIGHT 12 x 10 inches cat no. 26 MANCHESTER AT NIGHT 20 x 24 inches cat no. 27

SUNRISE 36 x 36 inches cat no. 28

PICCADILLY TOWARDS ARNDALE 20 x 24 inches cat no. 29

PORTLAND STREET 20 x 20 inches cat no. 30

REFUGE AT NIGHT 24" x 20" inches cat no. 31

KENDALS DEANSGATE 16 x 20 inches cat no. 32 No1 DEANSGATE 12 x 16 inches cat no. 33

SHOPPERS CROSSING MANCHESTER 36 x 36 inches cat no. 34

PORTLAND STREET TOWARDS CIRCUS TAVERN 36 x 36 inches cat no. 35

LLOYD STREET IN SNOW 24 x 30 inches cat no. 36

CROSS STREET 24 x 20 inches cat no. 37 ARNDALE UNDERPASS 20 x 24 inches cat no. 38

KNOTT MILL MANCHESTER 36 x 36 inches cat no. 39

BARTON SWING ON SHIP CANAL 24 x 20 inches cat no. 40 MANCUNIAN WAY UNDERPASS 24 x 24 inches cat no. 41

DOUBLE BRIDGE 20 x 24 inches cat no. 42

BRAMHALL VILLAGE 20 x 16 inches cat no. 43 BRAMHALL CENTRE 12 x 10 inches cat no. 44

THE REFUGE 36 x 36 inches cat no. 45

SALFORD ROOFTOPS 24 x 20 inches cat no. 46 ROOFTOPS 24 x 20 inches cat no. 47

PEVERIL OF THE PEAK 20 x 16 inches cat no. 48

SALFORD ART GALLERY CAFE 12 x 16 inches cat no. 49 SALFORD ART GALLERY CAFE II 12 x 16 inches cat no. 50

WHITWORTH STREET & OXFORD ROAD JUNCTION 12 x 16 inches cat no. 51

ORDSALL HOUSES 10 x 12 inches cat no. 52 HOLY NAME SCHOOL, SALFORD 12 x 16 inches cat no. 53

MANCHESTER LIBRARY STUDY 9 x 8 inches cat no. 54

DAVE COULTER 70 YEARS IN THE MAKING - Index Cat No. Title Dimensions 1 rush hour DeAnsgAte 36 x 36 inches 2 piccadilly rain 20 x 24 inches 3 oxford street in the rain 20 x 24 inches 4 DeAnsgAte study 7 x 9 inches 5 palace theatre from ritz 18 x 24 inches 6 DeAnsgAte twilight 40 x 40 inches 7 princess street 20 x 24 inches 8 oxford road sunset 20 x 24 inches 9 DeAnsgAte traffic 20 x 24 inches 10 car park 20 x 16 inches 11 car park study 7 x 9 inches 12 peter street to refuge 36 x 36 inches 13 DeAnsgAte 20 x 24 inches 14 Albert square 20 x 24 inches 15 oxford street Morning 20 x 24 inches 16 cross street tram 16 x 16 inches 17 MosleY street tram 10 x 12 inches 18 oxford road vista 28 x 36 inches 19 looking up peter street 24 x 20 inches 20 oxford street 20 x 24 inches 21 DeAnsgAte At night 12 x 16 inches 22 oxford street study 10 x 12 inches 23 DeAnsgAte sunset 40 x 40 inches 24 oxford street vista 20 x 24 inches 25 withy grove, shude hill 20 x 20 inches 26 library At night 12 x 10 inches 27 MAnchester At night 20 x 24 inches

DAVE COULTER 70 YEARS IN THE MAKING - Index Cat No. Title Dimensions 28 sunrise 36 x 36 inches 29 piccadilly towards ArnDAle 20 x 24 inches 30 portland street 20 x 20 inches 31 refuge At night 24 x 20 inches 32 kendals DeAnsgAte 16 x 20 inches 33 no1 DeAnsgAte 12 x 16 inches 34 shoppers crossing MAnchester 36 x 36 inches 35 portland street towards circus tavern 36 x 36 inches 36 lloyd street in snow 24 x 30 inches 37 cross street 24 x 20 inches 38 ArnDAle underpass 20 x 24 inches 39 knott Mill MAnchester 36 x 36 inches 40 barton swing on ship canal 24 x 20 inches 41 MAncuniAn way underpass 24 x 24 inches 42 Double bridge 20 x 24 inches 43 bramhall village 20 x 16 inches 44 bramhall centre 12 x 10 inches 45 the refuge 36 x 36 inches 46 salford rooftops 24 x 20 inches 47 rooftops 24 x 20 inches 48 peveril of the peak 20 x 16 inches 49 salford Art gallery cafe 12 x 16 inches 50 salford Art gallery cafe ii 12 x 16 inches 51 whitworth street & oxford road Junction 12 x 16 inches 52 ordsall houses 10 x 12 inches 53 holy name school, salford 12 x 16 inches 54 MAnchester library study 9 x 8 inches